Friday, October 1, 2010

Making Money Through



Diddums. Casey Affleck admits that he ‘went broke’ filming his fail movie with Joaquin Phoenix. The movie, I’m Still Here, was filmed over two years and was revealed to be a fake documentary-style movie that Affleck thought anyone with two working eyes and ears would be fooled by. The film showed Phoenix, who would have made interesting material without the pretentious/ staged nature of the movie, doing coke/ hookers and getting pooped on. Or, as I like to call it ‘Wednesday’.  That’s some mid-week pAArtying and moviegoers agreed. Affleck’s movie went up against his big brother’s movie, The Town (which topped the US box office and opened on Rotten Tomatoes to a 93% fresh rating), and only took $96,658 in its opening weekend. Sucks to be the less talented brother, and there’s something I never thought I’d say of these two. Speaking to The Telegraph in the UK, Affleck says he came clean about the hoax everyone knew about so as not to permanently damage Phoenix’s reputation. The movie was supposed to be a cynical look at Hollywood and its trappings. Not poop.


Casey Affleck has admitted that I’m Still Here, his hoax documentary about Joaquin Phoenix, was a “planned, staged and scripted work of fiction” that nearly bankrupted him. Affleck said the project was an essay on celebrity culture. “It was pretty much all within the realm of possibility: people use prostitutes, people use drugs, especially in Hollywood. We didn’t take it so far that it wasn’t believable,” he told The Daily Telegraph. “Having something at stake is a great motivator and once this thing became public for me that was very helpful because there was no question: I had to see it through, no matter how long it took. I went broke. I hadn’t worked for more than a year, and I was pouring money into the movie. I had to stop for a month to do The Killer Inside Me. If I hadn’t, I wouldn’t have been able to finish the film – I was out of money. There was a lot at stake financially and, if we had left [the hoax] there, it would have been very damaging to Joaquin’s career.”




Casey Affleck, Joaquin Phoenix: I’m Still Here mockumentary movie trailer.

Label Complains That Amazon Devalues Artists By Making Music Cheap

from the you-got-it-backwards dept

This is unfortunate. Nearly two years ago, we wrote about the indie music label Asthmatic Kitty, which seemed to take a really forward looking attitude towards the new music market. In that interview, the label noted the reality of the new world, and why it was important to focus on reasons to buy, rather than assuming that people would just pay to hear music. This is what was said at the time:


I operate under the conviction that people buy records because they want to own them, not because they want to hear them. It is too easy these days to hear a record without having to buy it. I don't resent that fact, rather I feel we at Asthmatic Kitty embrace it through streaming albums and offering several free mp3s (even whole free albums). And why do they want to own it? They want it to illustrate to others their taste and identify who they are as a person. I also believe they want to be part of something bigger than themselves, they want to belong.



Our job is no longer to sell folks things they want to hear. They want an experience and to identify themselves as part of a community. Ownership then becomes a way of them supporting your community through investing in that community. Fostering that in an honest, transparent and "non-gross" way takes a combination of gracefulness, creativity and not taking oneself too seriously, while still taking art and music seriously.

Apparently, however, they do resent Amazon for making music available cheaply. Reader Colin points us to a recent article about how Asthmatic Kitty has sent out a letter to fans of artist Sufjan Stevens, complaining that Amazon's pricing is too low and asking people to go to Bandcamp and pay more instead. They do admit to being somewhat conflicted about this, at least:

"We have mixed feelings about discounted pricing," the label explained.



"Like we said, we love getting good music into the hands of good people, and when a price is low, more people buy. A low price will introduce a lot of people to Sufjan's music and to this wonderful album. For that, we're grateful.



But we also feel like the work that our artists produce is worth more than a cost of a latte. We value the skill, love, and time they've put into making their records. And we feel that our work too, in promotion and distribution, is also valuable and worthwhile."

While they're certainly not attacking Amazon or fans, the whole email does feel a little off. The simple fact is, if people want the music (as the label seemed to recognize last year), they can find it somewhere for free. Amazon's prices are meaningless when it comes to the "value" of the music. Price and value are not the same thing. Rather than complaining about the price that Amazon sets on the album, why not give people additional reasons to pay directly at Bandcamp -- such as providing valuable extras if they do. Or discounts on other merchandise. There are all sorts of positive ways to get people to find it worthwhile to spend money without making them feel guilty and bad for paying a price that is legitimately offered by a retailer.



47 Comments | Leave a Comment..



ScribbleLive plans to reinvent the <b>news</b> article | VentureBeat

Anthony is VentureBeat's assistant editor, as well as its reporter on media, advertising, and social networks. Before joining VentureBeat in ...

The Morning <b>News</b> | Slog | The Stranger, Seattle&#39;s Only Newspaper

Slog, featuring Dan Savage, is Seattle's most popular News & Culture Blog. Seattle News, Politics, and Arts Blog. The Stranger covers local & national news, politics, restaurants, bars, music, movies and the arts.

Small Business <b>News</b>: The White Paper Overview

Pundits still say they are a great way to develop credibility for your business easy to distribute in their popular current PDF format and also, if done right,


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Diddums. Casey Affleck admits that he ‘went broke’ filming his fail movie with Joaquin Phoenix. The movie, I’m Still Here, was filmed over two years and was revealed to be a fake documentary-style movie that Affleck thought anyone with two working eyes and ears would be fooled by. The film showed Phoenix, who would have made interesting material without the pretentious/ staged nature of the movie, doing coke/ hookers and getting pooped on. Or, as I like to call it ‘Wednesday’.  That’s some mid-week pAArtying and moviegoers agreed. Affleck’s movie went up against his big brother’s movie, The Town (which topped the US box office and opened on Rotten Tomatoes to a 93% fresh rating), and only took $96,658 in its opening weekend. Sucks to be the less talented brother, and there’s something I never thought I’d say of these two. Speaking to The Telegraph in the UK, Affleck says he came clean about the hoax everyone knew about so as not to permanently damage Phoenix’s reputation. The movie was supposed to be a cynical look at Hollywood and its trappings. Not poop.


Casey Affleck has admitted that I’m Still Here, his hoax documentary about Joaquin Phoenix, was a “planned, staged and scripted work of fiction” that nearly bankrupted him. Affleck said the project was an essay on celebrity culture. “It was pretty much all within the realm of possibility: people use prostitutes, people use drugs, especially in Hollywood. We didn’t take it so far that it wasn’t believable,” he told The Daily Telegraph. “Having something at stake is a great motivator and once this thing became public for me that was very helpful because there was no question: I had to see it through, no matter how long it took. I went broke. I hadn’t worked for more than a year, and I was pouring money into the movie. I had to stop for a month to do The Killer Inside Me. If I hadn’t, I wouldn’t have been able to finish the film – I was out of money. There was a lot at stake financially and, if we had left [the hoax] there, it would have been very damaging to Joaquin’s career.”




Casey Affleck, Joaquin Phoenix: I’m Still Here mockumentary movie trailer.

Label Complains That Amazon Devalues Artists By Making Music Cheap

from the you-got-it-backwards dept

This is unfortunate. Nearly two years ago, we wrote about the indie music label Asthmatic Kitty, which seemed to take a really forward looking attitude towards the new music market. In that interview, the label noted the reality of the new world, and why it was important to focus on reasons to buy, rather than assuming that people would just pay to hear music. This is what was said at the time:


I operate under the conviction that people buy records because they want to own them, not because they want to hear them. It is too easy these days to hear a record without having to buy it. I don't resent that fact, rather I feel we at Asthmatic Kitty embrace it through streaming albums and offering several free mp3s (even whole free albums). And why do they want to own it? They want it to illustrate to others their taste and identify who they are as a person. I also believe they want to be part of something bigger than themselves, they want to belong.



Our job is no longer to sell folks things they want to hear. They want an experience and to identify themselves as part of a community. Ownership then becomes a way of them supporting your community through investing in that community. Fostering that in an honest, transparent and "non-gross" way takes a combination of gracefulness, creativity and not taking oneself too seriously, while still taking art and music seriously.

Apparently, however, they do resent Amazon for making music available cheaply. Reader Colin points us to a recent article about how Asthmatic Kitty has sent out a letter to fans of artist Sufjan Stevens, complaining that Amazon's pricing is too low and asking people to go to Bandcamp and pay more instead. They do admit to being somewhat conflicted about this, at least:

"We have mixed feelings about discounted pricing," the label explained.



"Like we said, we love getting good music into the hands of good people, and when a price is low, more people buy. A low price will introduce a lot of people to Sufjan's music and to this wonderful album. For that, we're grateful.



But we also feel like the work that our artists produce is worth more than a cost of a latte. We value the skill, love, and time they've put into making their records. And we feel that our work too, in promotion and distribution, is also valuable and worthwhile."

While they're certainly not attacking Amazon or fans, the whole email does feel a little off. The simple fact is, if people want the music (as the label seemed to recognize last year), they can find it somewhere for free. Amazon's prices are meaningless when it comes to the "value" of the music. Price and value are not the same thing. Rather than complaining about the price that Amazon sets on the album, why not give people additional reasons to pay directly at Bandcamp -- such as providing valuable extras if they do. Or discounts on other merchandise. There are all sorts of positive ways to get people to find it worthwhile to spend money without making them feel guilty and bad for paying a price that is legitimately offered by a retailer.



47 Comments | Leave a Comment..



ScribbleLive plans to reinvent the <b>news</b> article | VentureBeat

Anthony is VentureBeat's assistant editor, as well as its reporter on media, advertising, and social networks. Before joining VentureBeat in ...

The Morning <b>News</b> | Slog | The Stranger, Seattle&#39;s Only Newspaper

Slog, featuring Dan Savage, is Seattle's most popular News & Culture Blog. Seattle News, Politics, and Arts Blog. The Stranger covers local & national news, politics, restaurants, bars, music, movies and the arts.

Small Business <b>News</b>: The White Paper Overview

Pundits still say they are a great way to develop credibility for your business easy to distribute in their popular current PDF format and also, if done right,


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Making shell money - East New Britain by Rita Willaert





















































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